What a curious phrase, ”the final democracy”! The final democracy could be realized only with the registering of the cadences of the black literary voice. This idea has such a long and intricate history in black letters that one could write a book about it. Suffice it to say here that W. H. A. Moore received it from writers such as E. Fortune, Jr., who in 1883 published an essay on ”The Importance of Literature: Its Influence on the Progress of Nations,” and found these ideas
echoed in essays such as a 1905 New York Age editorial entitled “Dearth of Afro-American Writers,” in which T. Thomas Fortune argued that “the capacity of a race is largely measured by the achievements of its writers, in whom its natural vigor and perspicuity of intellect, its highest moral revelations and its most delicate and beautiful emotions should reach consummation.” These statements are only two of many more. A New Negro would signify his presence in the arts, and it was this impulse that lead, of course, to the New Negro Renaissance of the twenties.
De Botton has described his relationship with his father as difficult, stating: "When I sold my first bestseller (and a million dollars was peanuts for my father) he was not impressed and wondered what I was going to do with myself."  When his father died, his family was left a large trust fund ,  although de Botton says his income is derived solely from his own activities (book sales, speaking engagements, business consulting, The School of Life).    Alain's stepmother Janet de Botton is a prominent patron of the arts and competition bridge player.  De Botton lives in London with his wife, Charlotte, and their two children.